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Digital infrared photography: Do more than take creepy shots of your cat

(Credit: Joshua Goldman/CNET Networks)

So I'm currently testing the Sony Cyber-shot DSC-H50 (look for the review next week), one of Sony's high-zoom cameras that among a gazillion other features has an on/off switch for Sony's NightShot infrared shooting mode.

As you can see, I managed ...

Wednesday in the park with the Nikon D90

The Nikon D90 arrived on Wednesday, and since we've had some great weather this week here in NYC, I immediately headed out to Madison Square Park to shoot a few hundred photos and start to get a feel for the camera. Then I passed it back to Matt F. for some initial performance testing. (Here's a slide show with some photo samples.) My first impression? For a sub-$1,000 model, the D90 is verrrrry nice.

Continuous-shooting with the Nikon D90. Click for a slide show of sample photos

(Credit: Lori Grunin/CNET Networks)

First up, the D90's movie capture. I shot the flags blowing in the breeze and a fountain that I typically use to test camcorder and camera video. (Unfortunately, I can't display those here without compressing them in a way that defeats the purpose of showing them.) The clips themselves look OK, although for some reason Nikon bumps up the saturation beyond the photo settings, and I wish the camera shot 30fps instead of 24. You also need three hands if you plan to use the zoom--which requires manually focusing--because it's hard to hold this relatively heavy dSLR out in front of you steadily while videos shooting in Live View. But I like the creative potential of the mode and look forward to shooting with it some more.

Sony shafts Motion JPEG, takes new DSC-T500 high-def with MPEG4 AVC/H.264

(Credit: Sony Electronics Inc.)

Portable media players aren't the only thing Sony's been up to this month. Following on the DSC-T77 and DSC-T700 launches a couple weeks back, the company's line of Cyber-shot digital camera family grows by one today with the announcement of the DSC-T500.

While ...

New binoculars make the most of mirage

(Credit: DARPA)

A new type of binoculars developed by DARPA not only penetrates heat haze, it uses the shimmering distortion to magnify distant objects behind it, significantly extending target recognition and identification.

The Super-Resolution Vision System (SRVS) exploits an "atmospheric turbulence-generated micro-lensing phenomena", which acts as a lens, sporadically generating ...

Become a remote spy with Swann's new wireless camera

(Credit: Swann Communications)

From the folks who brought you the creepy and simultaneously cool (depending on who's using it) DVR flashlight, comes another 007-inspired piece of high-tech security gear. On Wednesday, Swann Communications introduced the IP-3G ConnectCam 1000.

The ConnectCam is a 802.11G wireless network camera that lets ...

SanDisk card perfect for shiny, new Nikon D90

(Credit: SanDisk)

Already saving up to get the new Nikon D90? You might want to add at least another $65 to your budget for SanDisk's new 30MB/s Extreme III SDHC cards.

Available worldwide in September, the cards offer a 50 percent speed boost from 20MB/s cards, and ...

Nikon D90 at long last: First dSLR to do video

(Credit: Nikon USA)

The much-rumored and even more longed-for update to the Nikon D80 has arrived. Or will, in a couple of weeks. The Nikon D90 doesn't replace the popular D80, which moves down Nikon's dSLR product line, and unsurprisingly, provides some significant enhancements over that 2-year-old model. Most notably, the D90 is the first digital SLR to support movie capture.

Though its movie-capture specs aren't too shabby--24fps 1280x720 motion JPEG and support for VR optical image-stabilization if the lens has it--D-Movie still doesn't match the best of the snapshot-camera movie modes.

For instance, exposure is fixed for the length of the clip, it has monaural sound, and you can only focus manually while shooting. HD clips are capped at five minutes, likely to keep the sensor from overheating since movie capture operates in Live View mode. Still, this has been a long-awaited feature in the entry-level segment, since it's one of the two important most features users have had to sacrifice when moving up to dSLRs (the other being pocketability).

New Canon lens goes for versatility

(Credit: Canon)

If you're a Canon shooter and always wished Canon made a do-everything 18-200mm lens like others make, well, it finally arrived.

Canon on Tuesday announced its latest EF-S lens, the 18-200mm f3.5-5.6 IS. It offers an incredibly wide focal length range, with a 35mm equivalent ...

Canon wises up with 50D sensor and new zoom

My coworker Lori Grunin already covered Canon's announcement of its $1,400 mid-range EOS 50D SLR, but as somebody who's in the market for a new SLR, I thought I'd weigh in with some thoughts of my own. I'm glad Canon is investing where perhaps it counts most: the sensor. If the reviews look good, this will be the first time I've really been tempted to upgrade from my well-used Canon Rebel XT.

Canon's EOS 50D will ship in October for $1,399, not including a lens. Also shown here is the new EF-S 18-200mm f/3.5-5.6 IS zoom lens.

(Credit: Canon)

When it ships in October, the 50D will sport a 15.1 megapixel sensor, up from 10.1 megapixels in the current 40D. The increase in megapixels is nice for the poster-print and microstock-sales crowds, but what's most notable is the increase of the top ISO from 3,200 to 12,800.

That means Canon has done some serious work to cut down on the noise levels inside the sensor, which bodes well for image quality not just at the new extremes but also at more ordinary sensitivity settings. ISO 3,200, for example, is now part of the ordinary range, not the extended range that must be manually enabled before it's available. Canon hit some sweet spots in sensor design, for example with its earlier 20D and the full-frame 5D, and the 50D holds the potential of being another model that balances megapixels with low noise and accurate color.

Canon attributes the advance to "newly designed gapless microlenses over each pixel to reduce noise." Microlenses gather light for the light-sensitive part of the image sensor, compensating for surface area occupied by other electronics. Gapless microlenses presumably stretch across the entire pixel width. Perhaps this technology will also help out whatever model will succeed Canon's 5D, my other obvious upgrade path but one that likely would require spending twice the price for the camera body and that would require me to shell out another few hundred dollars for a new wide-angle lens to support the full-frame sensor size.

Fending off Nikon
Higher sensitivity is important for Canon. It's been losing market share to Nikon, which has pushed high sensitivity as an advantage, though with lower megapixel counts. The full-frame sensors on Nikon's D3 and D700 can reach ISO 25,600, though reaching that level was made easier through a sensor design that emphasizes a smaller number of larger pixels.

Canon PowerShot longzoom camera gets tweaked

(Credit: Canon)

Available in September in black or silver, the $299.99 PowerShot SX110 IS is just a minor step up from the SX100 IS, going from 8 to 9 megapixels and bumping up the size of the LCD from 2.5 inches to 3 inches. Other than that, it'...